Paris is Raining
Water is raining down Montmartre, rivulets leaking to the Seine. Josep feels like a martyr, the slow torture of wet feet. The stitching of his leather shoes is rotting; that’s the kind of winter it has been. Paloma hugs his left elbow with her two impatient hands and leans her head on his shoulder like Suze Rotolo as they go freewheelin’ to déjeuner. Little birds scatter from a puddle, a flurry of wings, les oiseaux she says under her breath, in kinship. She could live on bread and butter, and strong coffee, bien sûr.
Brooding
Paloma and Josep sit silently, side by side in a black car, each watching a world blur away through tinted glass. Her hands worry in the nest of her lap like brood mates. His spine is a ramrod. The world is desultory, patches of olive and dun and abandon. Her ring is a dew claw — functionless, prone to catching on things, to getting caught.
Josep Is Away
Paloma is crossing the Pont des Arts. They took down the iron grillwork and the thousands of love locks. The brass Abloy with J+P scratched into the side. Last fall they locked it beneath the third streetlamp and tossed the key in the Seine. It is too hot for September, 30 and humid. Paloma stops, scratches at the bandage wrapped around her left wrist and hand, pokes her fingernail under the flesh-toned wrap and rakes at the skin of the back of her hand. A pigeon flies off with something in its beak. She is staring into the water, how it flows around the footings in ripples that are never urgent. Beyond the shadow, the surface of the water is too bright, full of sky and clouds.
The Bard of Liminga 